субота, 14. новембар 2015.

10 RARE SERBIAN BOOKS

I made a list of 10 Serbian rare books, and talked a little about each one of them. I realize that I could have included some other books, but I made my selection based on the amount of information I could find on each book, and also on my opinion of how much they are important to Serbian literature and culture.

  1. Miroslavljevo jevanđelje (Miroslav Gospel)
  2. Vukanovo jevanđelje (Vukan Gospel)
  3. Marijanino jevanđelje (The Codex Marianus)
  4. Istorija o žitija i slavnih djelah velikago gosudarja i imperatora Petra Pervago (History and life of Peter The Great), 1772. – Zaharije Orfelin
  5. Srpske Narodne Pjesme (Serbian Folk Poems), 1814-1866 – Vuk Karadžić
  6. Srpski rječnik (Serbian Dictionary), 1818. – Vuk Karadžić
  7. Pismo Haralampiju (Letter to Haralampije), 1783.Dositej Obradović
  8. Sretenjski Ustav (Candlemas constitution), 1835.
  9.  Gorski vijenac (The Mountain Wreath), 1847. – Petar II Petrović Njegoš
  10.  Pesme (Poems), 1847 – Branko Radičević






REFERENCES:





More on “Letter to Haralampije”:
-          Discourses of Collective Identity in Central and Southeast Europe (1770-1945), Volume One: Late Enlightenment Emergence of the Modern “National Idea”, Central European University Press, 2006.


  •     Istorija srpske ćirilice – Petar Đorđić, Zavod za udžbenike, Beograd, 1990.


Interesting fact about the Miroslav Gospel:

While visiting the Hilandar Monastery in winter of 1845/46, Archbishop Porfiry saw the manuscript at the library of the monastery. Amazed at its magnificence, he could not resist the temptation, cut out one leaf from the book and took it away to Russia. This leaf was first shown at the exhibition in Kiev in 1874. In 1883 the leave came into the Imperial Public Library along with the material gathered by Archbishop Porfiry Uspensky.

Interesting fact about Vuk Karadžić’s dictionary:
Jacobb Grimm was the one who actually asked Vuk to put swear words in first edition of dictionary. In correspondence with Vuk he asked for their equivalent in German.

Interesting fact about Branko Radičević’s poetry:
Branko Radičević left some unfinished work. He left at least one text meriting close attention in any inquiry into Slavic Romantic irony, the ambitious unfinished poem of 1477 lines, composed in 1849, and featuring two titles: Ludi Branko (Branko the Fool) and Bezimena (Unnamed). Seventy-four years later, literary critics Pavle Popović and his brother Bogdan Popović found that in this poetic fragment "there is no poetry whatsoever" and that it "merits no compliment of any kind." Comparisons with European phenomena lead Serbian intellectuals and publicists such as Tihomir Ostojić, Ilija M. Petrović, Božidar Kovačević and Vladeta Vuković to reduce it to an imitation or at best thorough influence of Byron. Only after the centenary of Radičević's death, began the re-evaluation of Bezimena in essays by Salko Nezečić, Ljubiša Rajković and others. Milan Dedinac and Miodrag Popović, in his 1969 treatise, which is the first true scholarly study of the fragment since Ostojić's monograph of 1918, both move Bezimena away from Byron and Romanticism and toward Pushkin's Eugene Onegin and Vissarion Belinsky's essay of 1843 about Pushkin and Realism.


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